“Scared is what you're feeling. Brave is what you're doing.”
~~Emma Donoghue, Room



Hi all,

So one thing I'll say for this strange period we're living in... it's destroyed my attention span and focus.  I begin my non-work days convinced I'll get this, that, and this done.  And instead I accomplish nothing except watching YouTube videos, playing games, or, on a good day, maybe writing a couple paragraphs of a story.  During a few of those aimless days, I binge-watched Netflix's Hollywood.  I'm not going to say too much about it except it sort of revolved around flaunting the Hays Code.  For those who don't know, the Hays Code was a series of rules that American movies needed to adhere to.  Its heyday was in the 30s and 40s.  Anyway, Hollywood showed why the Hays Code was bad.  But as I watched and read up on the Code, it hit a lot closer to home when I thought about what all I would have to cut if the Dyeland stories had been under the control of the Hays Code.

So... come along with me, if you wish, on this weird, little game of "What if..."

God bless,
Jenni

Stuff in Dyeland Stories That Would Violate the Hays Code



So just for the sake of not getting too bogged down in it, I'm using the CliffsNotes version of the Code from tvtropes.com which you can find here.  All quotes are from there.  The stories referenced are linked here.

1.  "Crime and immorality could never be portrayed in a positive light."


I think the Dyeland stories actually would, more or less, work with this.  I'm not sure that the people behind the Code would have been overly happy with the promise of redemption held out to some characters (Nen, Tzila, Beatrice, Yehuda, Cameron) but maybe they would have been fine with it given all of those characters have to walk a difficult path first.  But many other "baddies" in the stories are punished.  Behnam's uncle is shot to death, Rex Remus is locked up as are the traffickers, Derek loses his family and position of power in his community on top of getting chewed out by Joshua, Archbishop Wesson is forced to step down, and so on.  There are likely some more minor characters that just kind of drop off the map but none of them are celebrated in any way. 

2.  "Films could only present 'correct standards of life' (for the times) unless the plot called for something else."

What does that even mean?  And if it's in the plot then wouldn't it mean the plot called for it?  I can make some guesses here but what I'm thinking of also figures into other rules so I'll just skip over that one...

3.  "The law had to be respected and upheld."

I think our heroes are pretty law-abiding!  Or at least when they're not it's in the Joshuan sense of disobeying a human-made law to follow a G0d-made law. 

4.  "Nudity and overt portrayals and references to sexual behavior (even between consenting adults) could not be shown."

Ha!  It's kinda funny to think about how much would actually need to be removed from Dyeland stories because of this one when there are so many angels and saints running around.  So let's just do a highlight reel:

- The part in "The Carpenter" where Joshua and Co. go to a raucous night club where Emma dances suggestively... gone!

- A lot of the frank language in "Safe" would likely need to be replaced by very problematic phrases like "defiled her" and "stole her innocence."

- The discussion of purity culture in "The King" would likely be canned.

- I have no idea how "Chrysalis" could possibly exist under the Hays Code without being very much not what I want.

- Joshua's and JenniAnn's discussion of breastfeeding in "Remembrance" would be doubly struck on account of dealing with something that's (usually but not always) the aftermath of sex AND involving Jesus and Mary in the discussion.

- Any scenes in which JenniAnn has her shirt off... shirt needs to go back on. 

- Sorry, Kim, but elements of Kemara's and Sean's courtship would need to be toned down.  Also nix the breastfeeding stuff.  And the twins' birth can only be shown in silhouette, apparently.

- Mary of Magdala's and Lucius' love scene... double yikes because they're an interracial couple and one's a saint. 

- Even though no sex was had, Emma's and Peter's sleepovers in "The Carpenter" and the fact that they lived together before marriage... nope!

- Andrew and JenniAnn most certainly would not be allowed to read a sex book in "Hope and Healing" and all discussions with Max about sex would be turned into one scene where someone winkingly alludes to "the birds and the bees" before it dissolved into another scene.

- "Shadowlands"...  Nen and Tzila would probably be turned into petty crooks which would really lower the stakes of that story way, way down.  (If memory serves, that is actually the story I was most tempted to subject to my own Hays Code.  I mean it's really, really dark at points...)

And I could go on...

5.  "Religion could never be depicted in a mocking manner."

So given that even still today some people think Jesus Christ Superstar is blasphemous, I highly doubt it would have existed at all in the Hays Code era.  And, even if it had somehow gotten through (maybe since it wasn't filmed in the U.S.), "The Carpenter" likely wouldn't have been allowed to depict Joshua as participating in a production of it.  I also don't have a good feel on if the character of Joshua would even be allowed to exist since he jokes, dances, gets teased, etc.  Jesus is awfully prim and proper in older films.

What I can say with some confidence is that Joshua's real entry into the Dyeland stories would have been different.  When he appears in "The Butterfly," it's to counsel Fr. Mike who is dealing with the aftermath of an abusive priest.  But it seems like the Hays Code wouldn't have allowed for any such thing.  Villainous literary characters who were also religious leaders were turned into politicians in Hays Code-era films.  So, obviously, "Broken Hallelujahs" would be absolutely out of the question.

6.  "Drug use, including alcohol consumption, could not be shown unless the plot called for it."

I can't think of any edits that would be particularly painful except for the loss of Joshua's True Vine Winery.  For the most part, drinking is kept at a minimum and always engaged in responsibly among the main characters.  When alcoholism or drug use does come up, it's never shown as a good thing... the former is clearly a problem for Mason in "Broken Hallelujahs."  In Kim's "To Love Another Person," marijuana use is very briefly mentioned in a rather sympathetic way just as an example of how minor offenses can sometimes, unfairly, lead to major jail time.  Very reasonable, IMO, but I doubt the Hays Code folks would agree.

Ah...  The vampire stuff would have been pretty difficult to pull off, come to think of it.  Especially come "Immortality" when the semi-cure that Joshua gives Josef is a form of wine (but also his blood).  I guess it depends on how friendly the moral guardians were feeling towards Catholic theology that day.

7.  "All detailed (that is, imitable) depiction of crime had to be removed. This included lockpicking, safe-cracking, or the mixing of chemicals to make explosives."

If you can think of a Dyeland story that involved any of that, please let me know.  Because that would be a surprise...

8.  "Films could not use revenge as a theme or premise in stories set during modern times, since it could be seen as glorifying violence (specifically murder)."

I can't really think of any revenge plots...  The closest that comes to mind is Behnam shooting his uncle but given that happens within the context of the uncle trying to rape Isra, I don't personally feel that counts.  Andrew has sometimes voiced his desire for revenge on Rex but he's never even come close to trying to get that.  It's just something that comes out during really weak, down moments.  I'd say the same was experienced by some characters after Joshua was shot.  But no one set out to harm Cameron.

9.  "Topics considered "perverse" could not be discussed or depicted in any way. Such topics included—but were not limited to— homosexuality, miscegenation (interracial relationships), bestiality, and venereal diseases."

And everything comes crashing down horribly...  :-(  So let's go in order...

Owen and Graham would not be allowed to exist as a couple.  I'm deeply doubtful that they or Shane would be allowed to exist even as solitary characters if they were "out."  Reuel would also be viewed as very problematic.  Granted, he was not in a sexual relationship with Rafiq but they are anam caras and I don't think that would fly. 

The ban on interracial relationships would mean that Eli and Sophia, Emma and Peter, Mary and Lucius, and Ivy and Sy would not be allowed.  But, more than that, I doubt some of those characters would even be depicted.  And, perhaps worst of all, it's very likely that Joshua and his entire family would be portrayed by white actors and only white actors.  We're decades past the Hays Code and it's still very, very common for Middle Eastern characters to be portrayed by non-Middle Eastern actors. 

But let's pretend Joshua was allowed to be portrayed by an actor of Middle Eastern descent.  Would any of the white characters be allowed to kiss him?  Would it have been permissible for Emma, who is white, to have been depicted as being in love with him in JCS?  I'm not sure. 

The Dyeland stories most definitely do not depict bestiality.  But I'm not sure relationships between angels and humans would have been viewed as any better.  That would put Andrew and JenniAnn and Arthur and Monica on very, very shaky, very, very limited ground.

And Vincent and Catherine?  Given some people got up in arms about presumed bestiality even back in the 80s when their show was on, I doubt they would have stood a chance in the 30s and 40s even with Joshua stressing that Vincent has a genetic condition and is fully human.  So Lor and Cora and Avi and Evie wouldn't stand a chance, either.

I feel like Mick and Beth and Josef and Sarah and later Amber-Marie and Logan and Zelda would also be a really hard sell. 

At that point, I really wouldn't have much to work with and would probably have thrown in the towel. 

As for VD, I don't think I've ever really dealt with it except in rather vague references in the stories that deal with human trafficking but, as mentioned above, those stories likely wouldn't have been allowed in any form I would have approved of anyway.

10.  "The sanctity of marriage had to be upheld."

No matter how necessary, I don't think Kylie's divorce and remarriage would have been accepted.  Kinda ironic because I think Clay would have been a character who would have been pretty popular in the WWII era.

I also have a feeling that Joshua's blessing ceremonies for anam caras might have been seen as mocking marriage.  Too bad.

I probably also would have been blacklisted for having Joshua at a wedding between two men.  Heck, there are people now who would probably say I was a heretic for that.

11.  "Blasphemy—including using the name of God as an expletive or exclamation—was not allowed. Using the word 'God' was allowed, but only if used in a reverent tone or meaning. In addition, profanity of any kind was prohibited."

No specific examples come to mind although I'm sure there are some.  Adam occasionally says "damn" because he said it on TBAA and I was impressed.  :-)  I think I have had the occasional character take God's name in vain or say something not very respectful (a la Mason and Emma) so that I could later show how much they've changed and drawn closer to God.  Probably that reasoning wouldn't have gotten me very far back in the day, though.

12.  "The United States flag was to be treated with utmost respect."

I'm not actually sure the U.S. flag ever makes an appearance, come to think of it.  I don't think it's ever been mistreated in a Dyeland story in any case.

So yeah...  I'm glad online fiction doesn't have to deal with anything like the Hays Code!



This newsletter is dedicated to John Dye and the rest of the cast and crew of TBAA who definitely took some chances!  I'm still so glad they produced "The Violin Lesson," for one.



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